We are a global African media and cultural platform working across publishing, media production, art consulting, art fairs, and an international Art Prize. Our focus is Global Africa—on the continent and across the many places where African peoples and cultures live, create, and continue to shape the world.
Our work is grounded in the preservation and activation of African ancestral memory, not as something fixed in the past, but as a living intelligence that informs contemporary creativity, thought, and cultural production.
Across geographies and generations, we support artists, writers, curators, and cultural practitioners whose work reflects the depth, plurality, and ongoing evolution of African and diasporic experience.


To enable, document, and advance African and diasporic creativity globally, by preserving ancestral memory, supporting contemporary practice, and creating ethical platforms for cultural exchange across publishing, media, and the visual arts.

We envision a world in which African and Afro-descendant peoples:
• Define their cultural narratives on their own terms
• Are recognised as central contributors to global knowledge and aesthetics
• Maintain continuity between ancestral intelligence and future-making
Our vision is not assimilation, but self-determined presence across global cultural spaces.

Ancestral Continuity
We honour African knowledge systems, histories, and creative lineages as living foundations for contemporary work.
Natural Synthesis
We support practices that merge tradition and innovation without hierarchy or erasure.
Global Inclusivity
We recognise the diversity of African identities and experiences across geographies, languages, and histories.
Artistic Integrity
We prioritise creative autonomy, contextual understanding, and ethical representation.
Excellence and Care
Inspired by historical precedents such as Igbo-Ukwu, we uphold high standards of craft, thought, and cultural responsibility.
Long before global movement of peoples, modern borders and institutions, African societies produced advanced systems of art, technology, philosophy, and governance.
Our platform draws intellectual grounding from Uche Okeke’s principle of Natural Synthesis—the understanding that African modernity is not a break from tradition, but a conscious weaving of inherited knowledge with present realities.
We recognise the Igbo-Ukwu discoveries as emblematic of this truth: evidence of technical mastery, symbolic sophistication, and cultural self-honouring that predates colonial encounter. Igbo-Ukwu stands as a promise—that African creativity has long defined itself, honoured itself, and continues to do so.
Working Across Global Africa
Whether on the continent or in the diaspora, African peoples carry memory through language, form, gesture, sound, and image. We create platforms that acknowledge displacement and migration, while affirming continuity, belonging, and agency.
Our work connects:
• Local practices with global conversations
• Historical knowledge with contemporary expression
• Artists and audiences across Africa and its diasporas

The Global Africa art prize is a contemporary art prize that aims to showcase the art of Africa and it diaspora, as well as art inspired by Africa the continent, it's culture and design aesthetic. By 2030 twenty five percent of the world's population under 25 will be in Africa. Therefore, in the future the visual language of Africa will represents the aesthetics of the majority.

‘We were not just infantry soldiers, neither did we volunteer to go to war’
The myth that African soldiers willingly volunteered to go to war for pay obscures the fact that a large number of them were conscripts kidnapped and sometimes taken from school. Yet another myth is that African soldiers only served as cannon fodder, infantry soldiers or carrier corps. In reality some took on intelligence and administrative roles within the local war office. This project is collecting stories of soldiers that took part in the 2nd world war, to explore the contribution and heroism of soldiers from the African and west indian regiments.

African art is a strong part of Africans ancestral memory. This is why looted works held around the globe remains an emotive topic. However, some African works were acquired legally by collectors, institutions and museums, so we are currently working to encourage them to confidently share these works . This will allows the world to celebrate the history of Africa and it's brilliance that pre dates colonialism and the movement of its people. Access to these vital pieces of our ancestral memories are also evidence of Africans courage, industry, innovation and tenacity, a strong foundation in which the African identity can be built and reframed.